Role
Director • Producer • Editor • Animator
Director • Producer • Editor • Animator
![](https://freight.cargo.site/t/original/i/63844866d7c5cea009a559587c9757a643014fbf96fb2cb42065a03e52e1a1d1/Screen-Shot-2021-11-11-at-11.47.02-AM.png)
![](https://freight.cargo.site/t/original/i/35b28349637af67af2bd6a543bb1c7cfa01886ffd1df30a2d58e0d199254c9dc/Screen-Shot-2021-11-11-at-11.47.42-AM.png)
![](https://freight.cargo.site/t/original/i/751a55dd5b9658f83cdec4a84fec20451faceeee02e78fd27e25bb8fdd5fba4c/Screen-Shot-2021-11-11-at-11.46.52-AM.png)
![](https://freight.cargo.site/t/original/i/17758fed70708da663a5adb667e38f2e5cc9b1b1aa6b719b580e0ed461f785c6/Screen-Shot-2021-11-11-at-11.46.38-AM.png)
Summary
A strange sound in Bruno Mars’ 2016 hit “Finesse” led me down a path to one of the first digital samplers and a 1910 Ballet composed by Igor Stravinsky.
Credits