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Role 
Director • Producer • Editor • Animator

Emmy Nomination
Arts and Culture Reporting • 2020 
Summary It’s nearly impossible to turn on the radio and not hear a male artist singing really, really high. Likely he’s a tenor and, more often than not, he’ll sing in falsetto. This isn’t a trend, it has been the status quo for decades. Using the data diving know-how of The Pudding, and drawing on the expertise of a professional opera singer, Anthony Roth Costanzo, I dug into the world of the high male vocal to see how pervasive it’s been in pop music across the decades.
Credits

Story Editor
Bridgett Henwood

Research
The Pudding 


Additional Animation
Dion Lee, Coleman Lowndes